The average audience age at a
2013 Gordon Lightfoot concert had this effect on me. And honestly, the
ghostly apparition who took the stage with his guitar and backup musicians made
it clear just how long this troubadour has been writing and singing to a very
dedicated, if somewhat eccentric, fan base. It's hard to see our heroes age.
I have been attending Lightfoot shows since the singer was thirty-five, when he was riding high on a second wave of popularity with his Sundown album. Now a frail fragment of his former physical self, he is one of a small group of aging musicians still touring and selling tickets to several generations of fans. And the passage of forty years caused the remnants of my eighteen year old inner child to reach for reading glasses to see “Row E, Seat 1” on my ticket at the charming Pabst theater in Milwaukee.
And then there are those younger fans. Next generations, old souls born out of sync with their own time and longing for a taste of the unparalleled music of the 1970s, or perhaps watching “That Seventies Show” for insight into the journey their parents traveled to get here.
The concert I reference here was attended by a particularly enthusiastic young fan dressed entirely in period attire, sporting an afro (he was white) and drinking far too much at his personal Lightfoot pre-game tailgate. To his credit, he knew the title of every song and most of the lyrics, at one point shouting “Hamlets and Bars” at just the right point and at the top of his lungs. He subjected the audience to slurred outbursts at Gordon right up until the intermission, when he was summarily removed from the concert by two no-nonsense security guards. He wailed in protest, maybe not so much in reaction to the assault as in grief at the realization that he would not be enjoying the second set. As relieved as I was to see him go, I couldn't help but feel sorry for him.
The most recent audience featured a young-sounding female fan shouting repeated pleas from the darkness at the back of the theater to “Give it to me Gordon!” Gordon, ever the gentlemen, continued to strum and sing without comment, but no doubt appreciated the option of an offer to “give it” still, at age 74. He has continued to tour since this performance, strengthening his voice and improving his health, reportedly with daily workouts. His perfectly tuned guitars resonate with a seemingly genetic musical memory stored from decades of shows. Now 81 years old, an album he previously vowed would not happen has in fact been released. Appropriately named "Solo" it features Gordon in the studio with only his guitar but is a collection of previously unreleased tracks, not new material. It is enjoyably reminiscent of collections by other greats, but is no Nebraska. I can't help but wonder if the steady stream of adoring posts by fans on his Facebook page may have added to a renewed vitality in his eighth decade. It is gratifying to realize that I am not the only Lightfoot superfan.
So the show goes on. Old Gord, like Old Dan, in one of his infrequent spoken comments, mentioned that the band plays for ticket sales. He struggled with the high notes, sounding at times like air blown through a whale bone, increasingly nasal with each passing year and in the wake of a near-death aneurysm. But through it all, fans show up for his unique musical tales of life on the Carefree Highway, On The High Seas and in the Early Mornin’ Rain.
We’ll continue to buy tickets as long as you sell them Gordon, popping Tylenol and dragging our aching bones to the nearest venue, settling into our comfy chairs and “waiting for you.”
I could be caught between decks eternally
Waiting for you to ask what's keeping me
The skies of North America are covered in stars
Over factories and farms, over hamlets and bars